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   Formed by Paul Weller at the tender age of fourteen, the Jam started out as a mod-influenced punk band and quickly evolved into the biggest rock band in late 1970s and early '80s Britain. Their bracing, often lyrically bleak, explorations of modern English life ensured that they wouldn't find the same success in America as they did in the rest of the world but the Jam enjoyed a huge cult following on both sides of the Atlantic. A tight, blistering trio that was initially influenced by the early Who, the Jam also openly embraced and celebrated the work of the Kinks, Beatles, Small Faces, and classic soul at a time when most punk bands were pretending to be disdainful of everything that came before them. The band was renown for its high-energy live sets, the sound of which was captured on their first two albums -- In the City and This is The Modern World. Even on these early albums the band was displaying a stronger melodic quality than most acts linked to the punk scene but Paul Weller's songwriting took a giant leap forward with 1978's classic All Mod Cons. The album earned a rabid critical reception and went Top Ten throughout Europe, a fate shared by the vastly more sophisticated Setting Sons (1979) and Sound Effects (1980), a vivid merging of '60s psychedelia and punk. The Jam kept up a hectic touring and recording schedule as they kicked off an extended string of No. 1 U.K. pop singles with "Going Underground." The band's final full-length effort, The Gift (1982), combined spiky rock with elements of classic soul and contained the Motown-etched, kitchen sink drama of "A Town Called Malice," which became an alternative radio staple in the U.S. The trio was at their peak of popularity when Weller broke up the band in 1982 (reportedly because he didn't want the band to end up like the Who and the Stones). Weller went on to have great success with the Style Council and a solo career but the Jam continue to be so popular in Britain that a costly retrospective box set or their work reached the U.K. Top Ten in 1997, fifteen years after the band called it a day.

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Buy rare Jam vinyl records, CDs and rare music albums:
Beat Surrender
Born Of Frustration
Classics Up To Date
Emergency On Planet Earth
In The City
  Non Stop Dancing 12
Seven
Sit Down
Sound Affects
  Thank You
The Bitterest Pill
Thirds
Town Called Malice

Jam lyrics

James Taylor Song Lyric:

Country Road

Take to the highway won't you lend me your name
Your way and my way seem to be one and the same

Mamma don't understand it
She wants to know where I've been
I'd have to be some kind of natural born fool
To want to pass that way again
But I could feel it
On a country road

Sail on home to Jesus won't you good girls and boys
I'm all in pieces, you can have your own choice
But I can hear a heavenly band full of angels
And they're coming to set me free
I don't know nothing 'bout the why or when
But I can tell that it's bound to be
Because I could feel it, child, yeah
On a country road

I guess my feet know where they want me to go
Walking on a country road

Take to the highway won't you lend me your name
Your way and my way seem to be one and the same, child
Mamma don't understand it
She wants to know where I've been
I'd have to be some kind of natural born fool
To want to pass that way again
But I could feel it
On a country road

Walk on down, walk on down, walk on down
Walk on down, walk on down a country road
country road
Walking on a country road

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Download this Jam song
100 Ways
A Town Called Malice
Absolute Beginners
All Around The World
All Mod Cons
Art School
Away From The Numbers
Beat Surrender
Big Bird
Billy Hunt
Bitterest Pill
Boy About Town
Bricks & Mortar
Bricks And Mortar
Burning Sky
Carnaby Street
Carnation
David Watts
Down in The Tube Station at Midnight
Down In The Tube Station At The Midnight
Dreams Of Children
English Rose
Eton Rifles
Fly
Funeral Pyre
Get Yourself Together
Ghosts
Girl on The Phone
Going Underground
Happy Together


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